The UU Coffeehouse series in Columbia is the longest-running listening room environment in the area, bringing in national folk acts on a regular basis for close to two decades now. In recent seasons they have begun to feature more local talent along with the headliners, including this acoustic group, Pocket Buddha, who opened a show there last fall. Featuring Darren Woodlief on lead vocals, this song was written by band members Julia Englund and Ken Mixon, who add harmony parts. With this and others in their set, they brought a bit of groove-rock energy to the more typically laid-back UU.

April Video of the Day: The Spring Standards, “Queen of the Lot”


After posting their new music video last night, had to follow up with today’s pick from the live video archive, a song from The Spring Standards’ only Columbia, SC appearance: June of 2010, opening for Wakey! Wakey! at the New Brookland Tavern. This is one of my favorite songs of theirs, check the channel for the rest of their set from this show as well as most of the headliner’s, too.

April Video a Day: Angela Easterling, “Happy Song”

Aside from writing about music, for the past year or two I’ve been filming a lot of live performances with my admittedly low-tech camera, with over 700 clips now on my Youtube channel. Lest these many worthy performances gather virtual dust, I’m going to drag one out every day this month and repost it here with a short explanation.

Today’s edition is Angela Easterling‘s “Happy Song” from an outdoor concert in May of 2010 at the Riverfront ampitheater in Columbia, South Carolina. At the time it was a brand new song but it later turned up on her third album The Beguiler.

Blast From SC Music Past: The Stelle Group

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Chuck Mims might take issue with me putting him in this ‘nostalgia’ category of posts here, since he’s still out and about playing gigs, but I’m doing it anyway because I just found an old disc of my writing which includes an interview with him circa 2001 regarding his band The Stelle Group, a Rolling Stones-influenced alt-country rock outfit that still stands as the best manifestation of Mims’ singular talents. check out music from them and other Mims projects at www.chuckmims.com.

(From the Columbia Free Times, February 2001)

Hick’ry Hawkins, The Stelle Group

Elbow Room, Feb 15th

Kevin Oliver

 While this show’s headlining act, Hick’ry Hawkins, is undoubtedly Columbia’s finest example of classic honky-tonk country music in the hands of a man determined to live out the clichés in the songs he sings, the openers for the evening are celebrating a long-awaited milestone, the release of their first CD. At Home In Exile caps four years of the band’s hard work at establishing themselves.

“We tried to record for the first time in 1999, with David Barbe in Athens,” Stelle Group singer, guitarist and songwriter Chuck Mims says when questioned about the long wait. While some nice-sounding demos did surface from those sessions, Mims says, “There was no way we could affordably salvage anything out of it to release, so we regrouped and said, ‘Let’s just work on the songs and record in town, save some money.’”

The result is a casually brilliant snapshot of The Stelle Group’s twangy pop sound marked by Mims’ lazy, insouciant drawl, the stinging leads of guitarist Scott Taylor, and the solidly loose drumming of David Daniels. Bassist Jim Taylor left the band soon after recording these tracks–Byron Chitty, of local surf-instrumentalist legends Los Perdidos, is the current bass player.

“The songs on the record are from the beginning of the band up to the point where Jim left,” Mims says, “This is a document of the Stelle Group to that point.”

Of the newer songs on the album, one that has been getting an even more cathartic workout during the band’s live shows is, “Her Disguise.” “When we recorded that song, it was still pretty new,” Mims says as he explains how such a stately tune on the album has become a paint-peeling anthem in concert, “We were doing the ones we could play best, with the least amount of overdubs. It was a very dry, quick, live recording, mostly in an effort to save time and money.” Mims agrees that the band has already grown past even what it represents. “The newer material with Byron is twang oriented but not necessarily country rock.”

The disc’s title rather blatantly brings to mind a classic from the Rolling Stones, a group that knows a thing or two about incorporating country into gritty rock and roll. “Exile On Main Street did come up,” Mims says about the discussion that led to At Home In Exile, “But what the hell, it sums up being a band in Columbia. If you listen to the lyrics, most of the songs on the album are just my take on living here.” Like several other Columbia groups these days, Mims says, “It has been better out of town for us, as far as the crowd response and the number of gigs we are playing. We’re trying to make a point not to get stuck here.”

With an album finally out that they can promote through their expanding touring circuit, it is doubtful that The Stelle Group are going to be sticking around town much anytime soon.